#CINEMA 4D STUDIO REVIEW MOVIE#

And while the screens couldnвЂ™t be several stories high, they were still bigger than every other screen at the cinema they are housed in.ДЄ few years later, IMAX released their first digital cameras, which could be used on more commercial blockbuster productions. However, many multiplexes, even those that use IMAX with Laser, are lower resolution than the traditional format with a reduced screen size.Д®ven with some cons, putting a version of IMAX into multiplexes made the brand more known around the world. With a new 1.90:1 aspect ratio, cinemas could show films in 2D or 3D, along with the power of the newer IMAX with Laser projection system. Local IMAX Into the multiplexesДў008 saw the release of a new digital IMAX projector system that allowed films to be easily shown in more common multiplexes, albeit within their own custom made auditoriums. The Dark Knight was also the first mainstream film to be partially shot with 70mm IMAX cameras, with other films doing the same afterward.

#CINEMA 4D STUDIO REVIEW MOVIE#

While not every movie in the 2000s was getting the DMR treatment, a few notable films, such as the Matrix Reloaded and Matrix Revolutions (2003), Spider-Man 2 and 3 (2004/2007), several Harry Potter films (2004-2011), Batman Begins(2005), and The Dark Knight(2008). Starting with re-releases of Apollo 13(1995) and Star Wars: Episode II - Attack of the Clones (2002), it soon became more common for certain blockbuster films to get the same treatment. This all changed with the creation of DMR (Digital Media Remastering), which involves remastering non-IMAX films for exhibition on IMAX screens. While Disney did their best, IMAX originally didn't believe it could retrofit traditional films onto its large format screens. This was a big deal: not only was it the first fully-animated feature in IMAX, but it was the first full-length feature in the format, period. Additionally, many were in 3D, providing audiences with even more ways to become immersed in the film.

Whether it was space exploration or climbing Mount Everest, these films were very much spectacle-driven but also education focused. Into the Mainstream Becoming mainstreamДЇor the first few decades of IMAX, almost every single film they made was documentary in nature and could only be seen at purpose-built theaters. The auditoriums that project IMAX films are also large, with a unique style of stadium seating that emphasizes having the audience directly face the screen at all times. These projectors use a unique xenon arc lamp that is extremely sensitive and must be handled with extreme care.

With large film stock and cameras come large projectors, which have their own unique way of projecting the film stock vertically. This is the main reason that films shot on traditional IMAX film stock are often under an hour in length non-IMAX films that incorporate the traditional film stock also donвЂ™t often shoot more than an hour of footage.

This massive film stock is shot vertically on large but noisy cameras that can only ever shoot between 30 seconds to two minutes of 12k resolution footage at a time.

Cinema 4d studio review